dailydoogal said: Do you offer lessons?
I don’t, but I mean… If you want to hang out and learn about photos and cameras and stuff… I’m more than down with that.
Or, any questions you have I can try my best to help you out with. So feel free to ask away!
BEGINNER: Shoot in manual mode. Learn it, I don’t care. Consistency in exposure is extremely photogenic. Also, learn how light works. No one likes ugly/intrusive shadows and under-exposed images
INTERMEDIATE: Stop taking pictures OF people. Take pictures that tell stories. Instead of taking a picture of Uncle Tom smiling, take a picture that includes both him smiling AND what he’s smiling at. Also, why are you so terrified of getting in close with your subject? Wide(r) angle lenses (24mm - 50mm) tell stories that feel like they’re “in the moment”. They give you depth and action-style storytelling. Ditch the telephoto and get RIGHT UP IN THAT ACTION. You’re not intruding (unless you’re somehow idiotically oblivious) and you’re paid to be there. (in some cases, don’t ditch the telephoto, because it’s actually very valuable if you want a single layer of depth / feel in a photo. Example: use a telephoto for family formal photos. One family, all in a straight line, with a decent background, looks infinitely better on a telephoto than it does a wide angle). ALSO, digital cameras are a blessing. If you find some look that you like, take a bazillion pictures of it before you move on / change scenery. Chances are, there will be one photo in that bazillion that will be PERFECT for everyone’s smiles, facial expressions, reactions, poses, etc…. instead of taking 3 photos of the moment and realizing that at least one person is blinking / got an insane double-chin. You can composite the image in photoshop using the ‘best of all the shots’ but what’s the point. Get it right in the camera the first time.
PRO: Negative space AND get low. Clutter shows itself pretty clearly in photos, and no one likes a picture frame / tree branch / window that somehow grows out of a subject’s head. Move around or even move your subject (ask nicely) until they’re face and gorgeously endearing smile is clear and obvious… not the ending of a maze of confusing clutter in the frame. Messy bed while the groom is getting ready? get low and shoot up. You can’t see the clutter. BOOM. Eye level shots are boring. Get in the moment and be low.
EXPERT: Off camera lighting. If you don’t do this then what are you even doing. A bounced flash is a start… but all the pictures look the same. Great for candids and dance floor, but it’s not art. It’s a photojournalistic look. Stop telling stories with pictures. Tell stories with art. Put a wireless flash / spotlight on the bride & groom on the dance floor, and trigger it. Why do all concert photos (taken even with iPhones) look amazing? Because they have spotlights on them. The light is not coming from 1/2 inch above your camera. Off camera lighting casts weird shadows though. Make sure the light is always on the subjects face straight-ish on. Then move around, find an angle that works, and paint a picture with that beautiful camera & lens of yours. ALSO, no more “that would be cool if we got a shot doing this”. DO THAT SHOT. Lie down in the mud. Hop that fence. Get that shot, instead of thinking “lol wouldn’t that be sick ah well too lazy bruh haha feel me”
NIGHTMARE MODE (God Mode Disabled):
Only shoot using Instagram. Be confident enough to shoot an entire wedding using only your iPhone. Make art happen. It doesn’t do it on it’s own. The tool relies on you, not visa versa.